Reference → LUT · in seconds

Make it lutify.

Drop a frame or clip you love — an ad, a film, a Pinterest save. Grade it with pro wheels and scopes, and get a LUT that gives your footage the same look in After Effects, Premiere Pro, DaVinci Resolve, Final Cut Pro, Photoshop and Lightroom.

Before After
Graded frame
LookMoody adventure
Moody_Adventure.cube33³ · Rec.709 · ready
S-Log3 · C-Log3 · V-Log · Apple Log
Presets18 looks
CamerasRec.709 + 4 log
Exports7 formats + .zip
UploadPhoto or video

Works with

Flat, ungraded original
BeforeS-Log3 · shot flat
Graded with lutify: vivid alpine colour
AfterFinished in lutify
Shot flat · finished in lutify

From flat
to film.

“The mountains were always this colour. We just hadn’t graded them yet.”

Grade yours
The studio

Your look, built live.

Match a reference or start from a preset. Grade it with wheels, read it on scopes, export it anywhere.

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Before After

Vectorscope

Space hold to compare · S B A views · R random preset · ⌘Z undo · ⌘V paste reference · double-click any control to reset

18 presets · ported from real ad grades

Every look,
one flow.

Spin the wheel. Every word is a real lutify grade applied live to the same frame — skin stays warm, whites stay clean.

Use Teal in the studio
LUT · Teal 33³ · Rec.709
How it works

Three steps. Zero grading degree.

Watch the 35-second walkthrough — drop a reference, add your footage, export the .cube.

Made with lutify
01

Drop a reference

lutify reads its contrast curve, the tint in its shadows and highlights, and how saturated each colour is.

02

Add your frame

Upload a still from your clip and pick the camera — Rec.709 or log. The match is measured against your real footage.

03

Export anywhere

Smooth curves, protected skin, clean whites. Download for your editor, your grading suite or Lightroom.

Export formats

One look. Every app.

.cube33-point

After Effects · Premiere Pro · DaVinci Resolve · Final Cut Pro · Photoshop · CapCut

.cube65-point

High-precision master for DaVinci Resolve and grading suites

.3dl17-point

Nuke · Flame · Lustre · Smoke

HaldCLUT.png

Darktable · RawTherapee · GIMP · ffmpeg

.xmppreset

Lightroom Classic · Lightroom · Camera Raw

.dngmobile

Lightroom Mobile — open it, then Create Preset

.jpggraded

Your photo or video frame with the look applied, full resolution

.zipeverything

Every format above in one download

Videolive

Upload a clip, scrub it and play it back with the look applied in real time

FAQ

Good questions.

How do I use the LUT in After Effects or Premiere Pro?

Lumetri Color → Creative → Look → Browse, and pick the .cube. In After Effects you can also use Effect → Utility → Apply Color LUT. For log footage in Premiere Pro, use Basic Correction → Input LUT and turn off auto log conversion.

And in DaVinci Resolve?

Project Settings → Color Management → Open LUT Folder, drop the file in, click Update Lists, then right-click a node → LUTs. The 65-point .cube is the highest-precision option.

I shot log. Do I need a conversion LUT first?

No. Pick your camera under “Shot on” and the LUT includes the conversion: camera curve, gamut to Rec.709 and a filmic tone map. Don't stack a second conversion.

How close are the Lightroom presets?

The .xmp and .dng are built from Lightroom's own controls (RGB curves plus HSL), so they're a close translation rather than a pixel-exact copy of the LUT. They behave best on JPEG/HEIC photos. For Lightroom Mobile, open the .dng, tap ⋯ → Create Preset.

Can I upload a video?

Yes — MP4, MOV (H.264/HEVC) or WebM. A reference clip is read across 8 frames; your own clip gets a scrubber and live playback with the look. For the fastest preview, upload a single frame (a screenshot) instead. ProRes and camera RAW can't be decoded in a browser — export an H.264 proxy or a still.

What are the wheels and scopes for?

The Grade panel works like Lumetri in Premiere Pro or the colour page in DaVinci Resolve: shadow, midtone and highlight colour wheels plus temperature, tint, exposure, contrast and saturation, baked into every export. The vectorscope shows the skin-tone line so you can keep faces on it; waveform, RGB parade and histogram show exposure and balance.

Will faces go weird?

Skin is protected. Faces keep a warm, natural hue while the rest of the frame takes the look. The Skin protection slider sets how strongly.

What happens to my images?

Previews and LUTs are made in your browser. When you download a look, a copy of it — including the frames used to make it — is saved to the lutify library.